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A Note from the School of Music

Spring 2024

kim-councillKC’s Corner

For most of my childhood and early teens, I wanted – more than anything – to be a doctor.  I read every book I could get my hands on about Elizabeth Blackwell, begged my parents for chemistry sets and stethoscopes, and when I was finally old enough to volunteer in our local hospital (some of you may remember that job as a “candy striper”), I was prepared for the best summer of my life and all that I would learn.  Well, I did indeed learn a lot that summer…most importantly that I definitely did not want to be a doctor!

I come from a family of teachers. I am the youngest of four children and we have all taught public school yet somehow, it seems that I kind of stumbled into the teaching profession rather than ran toward it with full force.  My love for medicine was quickly replaced by my love for music, I had fantastic 9th-12th grade music teachers who had me teaching and conducting early on, and my not-so-positive relationship with AP Chemistry, combined with my passion for AP Music Theory, solidified the fact that music was going to be my profession.  That love, mixed with meeting the fantastic new clarinet professor in my home state’s flagship School of Music and the full scholarship I won to be an education major and then teach in the NC public schools sealed the deal.  A series of fortunate events changed my life, the lives of thousands of children, and led me to this fantastic community here in Utah.  This year wraps up my 29th year as an educator and/or education administrator, and I have never regretted the path my feet were chosen to walk.

As I have said to hundreds of collegiate music education majors, there are two jobs that are the most important in this world:  parent and teacher.  Nearly 30 years later, I still believe that is true. 

Whether singing to an infant in my arms while teaching my first-year music education students about child development, watching a middle schooler make their very first sound on the trumpet, celebrating the magic of making music with a child whose physical impairment and the systems around that have never let them participate in a drum circle, watching a student teacher transition from my student to my colleague right in front of my eyes, listening to my own daughter unpack her day as a 7th grade science teacher or observing one of our incredibly talented professors guide the next generation of music scholars right here in our building, I believe strongly in the power of education.

As educators, we have a transformative role in moving our students from what they don’t even imagine knowing to soaring without us. At the end of this academic year, we find ourselves bidding a fond farewell to Dr. Mark Ely, a beloved and respected colleague, saxophonist, and teacher educator who has changed music and education in our state for decades.  Dr. Emily Mercado shared the following about Mark in the application for his well-deserved Emeritus status:

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Dr. Mark C. Ely joined The University of Utah faculty in 1989 and has maintained a distinguished career as Professor of Music Education and Saxophone Performance in The School of Music. Dr. Ely has devoted his career to supporting student learning, while remaining active as a performer, clinician, and researcher. For example, Dr. Ely has taught over thirty different undergraduate and graduate courses—including Introduction to Music Education, Doctoral Instrument Literature, and History and Philosophy in Music Education. Since 2016, he has served as chair and committee member for over 50 graduate students. At The University of Utah, Dr. Ely mentored hundreds of undergraduate students successfully through the Music Education and Saxophone Performance degree programs, and ultimately to successful careers as educators, performers, and entrepreneurs of music.

Dr. Ely’s books, Dictionary of Music Education: A Handbook of Terminology co-authored with Amy E. Rashkin in 2005, and Wind Talk: A Practical Guide to Understanding and Teaching Woodwind Instruments co-authored with Amy Van Deuren in 2009, are major contributions to the music education profession. In addition, Dr. Ely currently has A Dictionary of Music Terminology Found in Saxophone Literature under review, and A Reference Guide to Select Saxophone Literature with Program Notes in progress. Dr. Ely also remains an active performer, and consistently performs with undergraduates and graduates on area recitals.

Dr. Ely has served The University of Utah and the Music Education profession throughout his career. For example, he served as Music Education and Woodwind Area Head, served on countless committees, and has adjudicated band competitions across Utah and the Western Region. This year, the Utah Music Educators Association (UMEA) inducted him into their Hall of Fame, and they have awarded him their Distinguished Service Award, Superior Accomplishment Award, and Outstanding Music Educator Award.

I was fortunate to be at the meeting where Dr. Ely was inducted into the UMEA Hall of Fame this past February and watch colleagues and alumni from across the state respond to the prompts, “Please stand if Dr. Mark Ely has made a difference in your life,” and, “Please stand if the people who are standing have made a difference in your life.”  Watching a room filled with people standing to honor a teacher and musician who has given so freely of himself was a beautiful tribute to all that teaching truly is.  What more can a teacher ask for than to know that they have made such a positive difference in this world?

As author Judy Blume stated, “Our fingerprints don't fade from the lives we touch.”  This is certainly true of Dr. Ely and all of us here in the School of Music who work tirelessly at educating and supporting our students.  Happy Retirement, Dr. Ely!  Thank you, thank you for sharing your gifts with us, for teaching us all even as you continued to learn, and for bringing the joy of music to thousands of children.  You have left your “fingerprints” all over the School of Music and our lives are better for knowing you.

 Kim Councill
Director of the School of Music 

 

Alumni Updates

What have you been up to since your time at the School of Music? We want to hear your update. 

Send us a message

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Lauren Posey(MMU ‘14), Executive Director of the Intermountain Suzuki String Institute, was a 2024 Utah Business 40 under 40 honoree.

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Madilyn Bowles (BMU ‘24) is the new Assistant Band Director at Alta High School.

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Shaun Hellige (BMU ‘21) has won a trombone position in the Quantico Marine Corps Band. 

tabatabaieAshkan Tabatabaie, (PhD '20) has accepted an assistant professor position in Music/Sound and Digital Media Arts at New College of Florida.

 

Student Successes

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Jaylynn Buchmelter’s piece “Shedding Skin” was presented at the 2024 Conference of the Society for Electro-Acoustic Music (SEAMUS).

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Amirhossein Zeinali’s piece “Times Three” will be presented at the New York Electroacoustic Music Festival.

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Kade Gordon and Lance Tran have advanced to the final round of the S.E. Shires Tenor Trombone Competition. This competition will be held at the Southeast Trombone Symposium, June 18-23 in Georgia. 

mccauleyYanqi Wang won Honorable Mention at the 2024 UMTA Concerto Competition; February 4, 2024.

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He Chang won the First Prize (First Degree) in the XVII Piano Composition Competition—winner in the International Professional Category with composition Erzichengzhou (Farewell by the River) at the Golden Key International Music Festival; New York, USA; Vienna, Austria January 2024.

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Isabel Cossa is the College of Fine Arts 2024 Outstanding Senior for the School of Music.

 

 

New Faculty

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Elisa Alfonso, 
Raymond C. Morales Post-doctorate Fellow in Ethnomusicology

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Steven Heffner, 
Assistant Professor (Lecturer) in Jazz Studies

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Olivia Tucker, 
Assistant Professor in Instrumental Music Education
 

School of Music highlights

Last Updated: 6/12/24