A Note from the School of Music
Spring 2026
KC’s Corner
I am the youngest of four children, and my siblings and I are the first people on both sides of our family to complete undergraduate degrees. Interestingly, all four of us became teachers as a way, perhaps, to give back to others in the same way as those who saw something special in us; people who were placed in our paths and changed our lives. As the baby of the family, I knew that much of the financial responsibility of college would fall to me and, fortunately, I was granted a full-ride to college with the help of a North Carolina Teaching Fellow scholarship, an opportunity for four free years of college in return for my teaching at least four years in my home state.
On the day that I received my award letter, my mother wept with relief.
As part of the scholarship, I had to commit a portion of each summer to various required experiences. One summer, I traveled all over NC to visit a significant portion of the state’s school districts. Other summers, I participated in a variety of professional and personal development opportunities. Between my sophomore and junior year, I was offered a study abroad option, an option that my parents and I, quite simply, could not afford. Even with a full-ride to college, my summers were spent teaching at various music and church camps to gain experience with children of all ages as well as working at various restaurants to earn decent money and gain real-life skills. Giving up a week or two of summer work to travel for my scholarship was hard enough for me financially, but the opportunity to travel to Europe – let alone study there! – was well beyond my capacity. I have never forgotten how it felt to listen to my colleagues excitedly talk about their study abroad opportunities when we all got back to campus for our junior year—a memory that I am sure I recounted to our own daughter many times as we encouraged and supported her on her own study abroad trip in college. As so many of you know, the ability to travel, see new things, learn from people who think differently than you, and step outside of your comfort zone changes you for the better.
As a college professor, I quickly started working with students interested in undergraduate research. When I began my graduate degrees, I had no idea what “research” was and certainly no idea how to go about attempting to do it.
Truthfully, I didn’t know what I didn’t know, and I didn’t want that to be the case for my students. So I started working with amazing preservice teachers to encourage them to ask questions and push them to think about ways to improve our profession. Because of the work of my students and the generous financial support of department and university donors, I was able to take students to Australia twice to gather data for a research project on American and Australian music education systems and practices as well as multiple music conferences to present their work. One of these students, Caitlyn,* was also a first-generation student who had never traveled far beyond the borders of her home state. In her four years of college, she traveled with me to Australia to work alongside some of her classmates, Scotland to present that research with her cohort at an international music education conference, and then to one of the largest conferences in our field to present her own data from her own research project. The acceptance rate to present at this particular conference is quite low, so in an attempt to be supportive and realistic, I shared the likelihood of not being invited to participate and, in an effort to turn a hard reality into a lighter moment, told her—because the conference happened to be in the same city as a gigantic mall with an indoor roller coaster—that I would promise to ride that roller coaster with her if she was accepted. Well, the next time you are in my office for a visit, ask me to show you the picture of the two of us on that roller coaster! A promise is a promise, after all!
In the four years that I have had the privilege of serving as the Director of the School of Music here at the U, our undergraduate and graduate music students have traveled to ten countries on three continents and 25 states (including Florida, Washington, California, and New York), and we have hosted multiple national and international conferences here on campus where our students have been able to grow as professionals due to the fantastic reputation and service of our faculty. But these kinds of opportunities--, these life changing experiences, only happen with the support of brilliant faculty, dedicated staff, alums who inspire and lead the way, and kind donors who see the potential of our students and invest in their talents. Because of this work, it is my hope that our students never have to sit back while others move forward, never have to give up a professional opportunity because of a financial obligation, and always, always, know that the School of Music is there to support them no matter where their journeys may take them. Thanks to all of you who support, sustain, and celebrate student research. Your work matters, and I am deeply grateful! If you are interested in supporting student research visit our giving page.
*name has been changed
Kim Councill
Director of the School of Music
Alumni Updates
Like mother, like daughter, like diploma
Nathalia Alvarez (BM '26)graduated this spring. Though it’s the first degree she’s earned from the U, it wasn't the first time she’s crossed the stage at convocation. In 2001, just two weeks before Nathalia was born, her mom, Diana Alvarez, received her choral education degree from the U. Diana was recently awarded Outstanding Music Educator at the annual Utah Music Educators Association Conference. Read more @THEU

Sorn Torkelson (BM ‘26) was accepted to the Yale School of Music grad program and will be attending this fall.

Brandon Horrocks (DMA '24) is a finalist for the Great Falls Symphony conductor position in Montana.

Matthew Makeever (DMA '22) was named Assistant Conductor of the Bozeman Symphony Orchestra in Montana.

Claudia Restrepo (DMA '17) was granted tenure as Assistant Principal Librarian with the New York Philharmonic.

Lawrence Spell (DMA '15) is the President-Elect of the College Orchestra Directors Association.

Cynthia Chen (BM ‘16, Poli Sci minor ‘16) was promoted to the Director of Public Policy and Government Affairs at Creative West.

Derek Myler (MM '18) is the Assistant Professor of Music Theory at East Carolina University in Greenville, NC.

Olivia Custodio (MM ‘14) is the Director of Major Gifts for the Sphinx Organization.

Steffan Mahonri Perez-Velez Solis (BM ‘24) is pursuing a PhD in Ethnomusicology at the University of Texas.
Mara Davis (BM '24) recently received her master's from the Eastman School of Music in Rochester, New York. She won third place in the 25th annual Friends of Eastman Opera Competition
Candido Jessee Abeyta (BA ‘19, MM ‘22) is a music educator at Hawthorne Academy in West Jordan, Utah. He was the pop saxophonist for Neon Trees and iDKHOW at the U's RedFest last fall.
Kyle McLean (DMA ‘24) accepted a tenure track position at Lamar University.
Abigail Almas (BA Linguistics ‘24, minor in Music Technology, MM '26 Temple University) is a Studio Engineer at Temple University Klein College of Media and Communication. 
Stella Wadsworth (BM ‘26) was the College of Fine Arts School of Music Outstanding Senior.

Karley Swallow (BM ‘26) performed the national anthem at the 2026 University of Utah Commencement ceremony.
Student Success
UPOP on KRCL
University of Utah Piano Outreach Program students, Trang Le and Ashley Black performed live on KRCL 90.9 FM. The mom and daughter take lessons at Kearns Library. Watch the video of them playing the Swan Lake Ballet Main Theme by P.I. Tchaikovsky arr. T. Brown.

Monica Mendoza's piece, "sleep until the ocean is no longer hungry,” a 5-channel electroacoustic work, will be performed at the 2026National Conference of the Society for Electroacoustic Music in the United States (SEAMUS) at the University of Texas - San Antonio on May 23, 2026.

Alex Harrelson will present “Teaching Opera Appreciation for Continuing Education Learners” at the Southeastern Regional Conferencefor Learning in Retirement in July.

Mt. Olympus Waters Honors Piano Trio: Alina Baron, violin; Stella Wadsworth, cello; Emerald Sylvia Clayton, piano; were finalists invited to perform at the MTNA Chamber Music Competition.

Wenzhao Wang won the MTNA Piano Competition Southwest Division, Young Artist category.

Olivia Jiang and Zibo Wang, won the MTNA Piano Duet Competition Southwest Division, Senior category.

Alina Baron won the MTNA String Competition Southwest Division, Young Artist category.

Adeline Hiemstra received the prestigious 2026 Goldwater Scholarship. She is a double-major studying music performance and physics.
The School of Music is piloting an exciting partnership with Utah Medical Orchestra (UMO). Graduate student, Elizabeth Ames will work under recent alum and UMO Music Director, Lauren Tian.
Clarinets to perform in South Korea
The U Clarinet Choir will perform in South Korea this July during the International Clarinet Association ClarinetFest—the largest clarinet conference in the world. Over 2,000 clarinetists will attend this year's conference. The artistic team received over 200 proposals and approx. 50 were accepted with representation from nearly 50 countries across six continents.
Faculty Hightlights

Jonathan Dillon was awarded the 2026 Outstanding Undergraduate Research Mentor for the College of
Fine Arts.

Lisa Chaufty and Miguel Chuaqui participated in SPLICE Festival VII at Colby College in early March where Lisa performed Miguel’s Arioso for Recorder and Live Electronics. Arioso is a piece that references the medieval Unicorn Tapestries where the soloist represents the unicorn, and its captivity is represented by the harmonies that surround it, especially in the recurring slow sections of the piece. As the piece progresses, the unicorn attempts to “escape” from the harmonies, sometimes more successfully than others. SPLICE Festival VIII will be hosted by the University of Utah’s School of Music in spring 2027.

Since receiving the School of Music Advisory Board Scholar Award in Sept. 2025, Jane Hatter has taught a seminar on Women in Music, given three conference presentations and a campus lecture, visited a local high school, and provided a pre-concert talk for Utopia Early Music. Read more.

Laura Grantier performed Miguel Chuaqui's piece Evocaciones (Evocations) for bass clarinet and live and recorded electronics on May 20 at the 2026National Conference of the Society for Electroacoustic Music in the United States (SEAMUS) at the University of Texas - San Antonio. In June, Laura will also perform Evocaciones at the 2026 New York City Electroacoustic Music Festival.

Director of Bands, Jason Missal, was awarded the Citation of Excellence from the National Band Association in recognition of outstanding contributions to bands and band music. In addition, he received the Citation of Excellence from the Utah Bandmasters Association for Superior Achievement in Performance, honoring his leadership of the University of Utah Wind Ensemble. The group was selected to perform at the 2026 CBDNA Western/Northwestern Division Conference.
Over the past year, Kim Councill, Director of the School of Music, and Cassie Taylor, Director of Development, have traveled to Southern California, Virginia, New York City, and St. George to connect with donors and alumni, share updates from campus, and strengthen relationships
beyond Salt Lake City and Utah.
These visits reflect continued commitment to expanding engagement, increasing awareness of the incredible work happening at the school, and building meaningful partnerships that inspire philanthropic support for our students, programs, and future growth. We want our broader community to feel informed, valued, and connected no matter where they are.
We would love to connect with you too! If you would like to hear from us or schedule a visit, please email cass.taylor@utah.edu